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Daylight

6.8K views 30 replies 18 participants last post by  derPeter  
#1 ·
What engine can you think of that surpasses the sheer lines and beauty of the Southern Pacific Daylight


Don't bother with an alternative because the chances are that I will not believe you!

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#6 · (Edited)
I think that to really understand the beauty of a locomotive you also have to take into account its natural habitat. If you have ever traveled or lived in California, then this is the memory the SP Daylight invokes for many of us.
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and this

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Scott (and yes..the first photo was taken in what was my backyard in my early years)
 
#17 ·
Actually, I prefer the NORD hudsons to the 2-3-2 U1 especially in their original condition with long skirts, Buggatti or A4 inspired front end, complete with the streamlined Nord Cinema on one side and the headlight on the other giving it an assymetric look yet so sleek like a bowie knife. The T1, the NYC, streamlined Hudsons and the N&W J class would also be prefered to the "Flying Toothpaste Tube". Ditto the B&O P7 of the Cincinatian, those beautiful C&NW 4-8-4, were pretty exciting things also, the stirling single and the NORD Atlantic perhaps are the most beautiful of them all.
 
#18 ·
Somebody remarked that streamlining was originally intended to improve efficiency by reducing wind resistance but quickly was adapted to increasing revenue by reducing ticket sales resistance. The first American streamlined steam locomotive was NYC 5344, the Commodore Vanderbilt, called the Flying Bathtub, designed in a wind tunnel at the Case Institute of Technology. It was followed by Henry Dreyfuss' Mercury Pacifics and Century Hudsons, which were purely styling excercises.

Raymond Loewy did Pacifics, the S1, and T1 for the Pennsylvania. Otto Kuhler did the Atlantics and Baltics for the Milwaukee Road and other jobs for various lines plus becoming the Alco stylist for some years. My favorite of his jobs was the Pacific for the Royal Blue.

The SP Daylight streamlining was an in-house job and looks it, as was Burlington's Aeolus (Big Alice the Goon). Who did Santa Fe's Blue Goose I don't know. And there were several other home-brews.

The LNER A4 was styled by Sir Nigel Gresley after looking carefully at a dirigible. Again it was an attempt at reducing wind resistance. As for the French, Belgian, and German streamlined steam, can anyone enlighten us? And indeed there was a Mongolian streamliner....